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Pivot; consequence of style

http://www.vimeo.com/9178331
Check out this film by Kevin Megens, Floris Vos, Arno de Grijs and Andre Bergs. Music and sound design by Alex Debicki. Script by Jan Eduards. Produced by il Luste. More info at the film’s site. Thanks to Keith Lango for the heads up!

Of course it has great energy, fantastic designs and bold cuts - all built about a very simple and effective dramatic concept. What I’d like to highlight, however is the stylistic consistency; they make a world rule that there is no gradient. The characters are hard-edged polygons, the city and props as well. A simple decision seen elsewhere. But what makes this take particularly effective is that the makers stick to their guns. Check out that sunset. Have a look at that camera flash. Harsh, bold angular color fields. And they possess energy.

I often observe this battle in my students - and it is a battle. You make a stylistic decision. Cool. But then there’s this image of what a sunset looks like and instead of plodding through the process of finding a method to communicate that from within your rules, you make an exception. And - in the worst case - the film comes undone. In the best, you lose potential. As Pivot clearly demonstrates. As David O’Reilly continuously demonstrates.

Check out the energy of those bold decisions. Consequence!

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